MARY AND THE LAMB.

Mary and the Lamb is a love story told in quiet light. It began with looking, then became a way of staying. When my mother’s body demanded repair, the camera moved closer to what cannot be announced: pain that reshapes time, tenderness that arrives without spectacle, the small negotiations of care that pass between two women who have known each other forever.

These photographs attend to vulnerability without stealing it. They hold the mother not as symbol, but as presence, marked and radiant, suspended between limitation and resolve. In making this work I learned a new choreography of closeness, where strength is not performed but endured, and love is measured in gestures: a hand, a pause, a breath, the unspoken agreement to keep going.